The Royal Opera House presents:
M/A/D | Royal Opera
Set in a Renaissance court ruled by a debauched Duke, Rigoletto tells the story of a vengeful court jester and his daughter, the only person he cares about.
Rigoletto’s master, the Duke of Mantua, is a notorious womanizer. When Rigoletto makes fun of a Count whose daughter has been seduced by the Duke, the Count curses Rigoletto. The curse begins to take effect as Rigoletto’s own daughter, Gilda falls in love with the Duke. Though Rigoletto is harsh and bitter at court – where his cutting put-downs have made him many enemies – he loves Gilda to obsession. When he finds out that she has become one of the Duke’s victims, he plots a desperate revenge.
Giuseppe Verdi wrote in 1855 that Rigoletto, based on Victor Hugo’s play Le Roi s’amuse, was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas.
David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion.
Act I 1 hour
Interval 20 minutes
Act II 30 minutes
Pause 5 minutes
Act III 45 minutes